Originally Written for: Passionforcinema.com. The article has been originally published here.
Once upon a time there was a boy. He used to watch a lot of Hrithik Roshan movies. And he had a dad who was a director. And the boy wanted to be an actor. And he wanted to be Hrithik. So, one night when he was watching Koi Mil Gaya for the 537th time, he thought he had enough of it. He went up to his dad and said ,” Papa Papa, Mujhe hero banna hai.” It was very late in the night and his dad was feeling very sleepy watching I, Robot. He was too jaded to reply. But his son repeated, “Papa Papa, Mujhe hero banna hai!” Papa dear was really sleepy but even then he asked ,” Accha Beta! Kya kya chahiye tumhein movie me?” Son dearest replied ,”Papa Papa, movie main na main car chalana chahta hun, bike chalana chahta hun, bhaagna chahta hun aur dance karna chahta hun,” and then he added something which was going to change the fate of Bollywood. For ever. “Sab Hrithik Roshan ki tarah.” Papa replied ,”Theek hai beta! Main script likhta hun. Kal breakfast pe baat karte hain.”
And from here began one of the greatest movie of all times - Love Story 2050. Harry Baweja must have written this film in his sleep, otherwise there is no way else can one even think of directing( and also producing. Admire his guts man! Take a bow Mr. Baweja.) a waste of 55 crores. A movie which has nothing to give rather than the cliched dialogues, bored to death romantic scenes, cliched expressions. The only good thing as people have been talking about is the special effects. That is true. Although the setting of 2050 Mumbai is a bit too futuristic for comfort. But still, that is one think you’ve to laud the movie makers for. Otherwise, there is nothing in this movie that stands out. The songs are outright bad, except ‘Milo na Milo’ which has been picturised equally well. It is the only 5 minutes where Harman is tolerable. Otherwise, he is a bad copy of Hrithik Roshan. I mean, he walks like him, talks like him, stands like him, sits like him, stares like him, has got his sideburns like him. There is only one difference though, if you cared to notice. He cannot act like Hrithik. Not in 2008 at least. May be in next 42 years, who knows? Or is that the hidden meaning behind the title? I mean the guy has tried aping Hrithik Roshan to such abominable levels that one might even start wondering; does he even try to shit like Hrithik?( Who knows he might have planted a hidden web cam in his bathroom just to learn some tricks of this trade too from his ‘mentor’?). Harman is wooden. That’s all I have to say.
And Priyanka Chopra? She might have been terribly-IN-love or hopelessly-OUT-of mind to accept such a movie and walk through a dead role with a dead pan expression. Not one single scene stands out, there is no magic on screen. The movie suffers from a huge hangover of Koi Mil Gaya/Krissh and Hrithik, so much so that you wish Rakesh roshan would sneak in some of the scene here and there. Everyone else is ineffective including the very own Boman Irani (as the scientist who I don’t know why is in an Einstein like get up). Archana Puran Singh plays the archaic ‘Yash Raj produced affable Punjabi mother’. There is absolutely no flow in the movie, one scene jumps off to another as if monkey hopping from one tree to another. The typical hero-heroine meeting up again is so irritating and straight out of some 1980’s bored to death formulaic movie. Hero wants to search his ‘love’ in the big town. He searches her for 17 seconds and the moment later ‘Lo and Behold’ she is right up there wetting herself to glory waiting for her ‘love’.
I can highlight only this much on the movie because I left the theatre after 2 hours 15 minutes. The movie threatened to be 3 hours 20 minutes long. I wonder what they would have shown in the next 1 hour 5 minute? Or, may be I know. The movie was as cliched as that. So Mr. Harry Baweja, you are no Rakesh Roshan and you are son is no Hrithik Roshan either. Had you donated this 55 crores of yours to the benefit of mankind, your name would have been right up there with Mother Teresa. So, the next time you decide to go behind the camera, think about how mankind could be benefited. Best of Luck!
And yeah, coming to luck, Harman keeps saying this line in the movie, ‘ I don’t need luck , I have love.’ Well Harman! you neither need love, you neither need love, you need an audience for your movie to tick which looks like a remote possibility. I suggest you rewatch Koi Mil Gaya for the 538th time and improve on your acting.
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